A little over a year ago I showed in my very first gallery. I meekly brought in a few of my woodland animal illustrations, sure I was going to be turned down, and was confused surprised when the director told me my work would fit the Fact or Fiction theme nicely. That show was also my first judged show, and was where I won my first ribbon, an honorable mention on my painting, The Guide.
One year later I’m now the Featured Artist at that same gallery, Capital Arts, in Jefferson City, MO. I currently have fourteen framed pieces on their walls–not an easy feat to put together, as I still have those twenty-five pieces at the conservation center–and was to give an Artist Talk during the reception.
And the theme for this show is Myths & Legends, which somehow brings all of this full-circle. Sometimes the Universe has a way of letting you know you’re on the right track.
During the reception I had a lot of fun chatting with my fellow artists and this awesome community in which I was immediately welcomed to with no question. So many of you guys have become more than just my colleagues/mentors. You have become my friends.
And for those of you who are here with me right now, reading this blog, thank you!
These are the pieces currently in my little “featured” nook of Capital Arts Gallery. Behind the table, in the window, you will also see my daughter got her own little featured section, where she was able to display some artwork of her own.
Note: if you are interested in any of these pieces, please let me know here. Since these paintings are currently for sale at the gallery, I have to ask them whether or not paintings in question are still available for purchase. It’s kind of hard to sell a painting that’s already sold haha. Thanks so much!!
For those of you who’d like to hear my Artist Talk, you’re in luck! I was able to record it and have uploaded it to Youtube. Just like with those in my audience at the gallery, you can ask me any questions that I may not have answered.
For those of you who have come to see part two, let’s get right to it!
Once again I’d like to explain that, while most of the originals for these pieces are still available to purchase (frame and all), they will not be shipped until after this show is over on October 28th, 2019. Prints, however, are available at any time, and are usually shipped within 2 days of purchase.
Please note: prints do not come with a frame. If you’d like a frame, feel free to contact me through Etsy or my site and we can discuss.
Watercolor & Gouache | 8×10 | 2019
Twilight Garden was another one of my “improv” pieces, in that I didn’t know where I was going to end up, even after I began. What I really wanted to do was play with my new colors: indigo and aussie red gold. Those two colors, plus perylene red and a little bit of moonglow, make one awesome color palette. I learned that with this piece, and with Ghost Garden, a painting I did right after this one.
Want to watch a video of me painting this? Click here!
This is another one of those pieces that was painted right on the cusp of 2018-2019 so it’s hard for me to remember which one it was. It was definitely wintertime, as you can see, and for this piece I really wanted to experiment with a monochromatic palette, using mostly blues and grays. I also experimented with different types of salt and found that coarse sea salt makes large, “flowery” patterns, while table salt makes tiny little “ice” patterns. Both are great for a wintry scene!
The original for this piece has already sold, but you can buy the print here.
Watercolor | 11×14 | 2019
Lone Tree was a painting inspired by a piece I did during my “mini landscapes” themed draw post on Twitter. I really liked the way the tree dissolved into the sky, and I aimed to try it again on a larger scale.
As of right now the larger piece is one of a kind. I do not have any scans of it, and if it is sold before the show is over, then congrats to the buyer! Because there will be no prints, and what they have will be truly unique.
Fog on the Bluffs was painted in early spring, when I often woke to a fog so thick I could barely see the tree just outside my window. The fog is one of the many reasons I love living next to the river. I remember painting the darker clouds at the top, and thinking of dense fog and rain on the hills in Wales (where one of my favorite books takes place) and I even though to put little white dots to hint at sheep.
The original piece was in a professional exhibition in spring, and spent some time in a restaurant before making its way over to the local gallery, where it will hang until mid October. If you are interested in the original (12×16 framed) please fill out this contact form. Because it is in a gallery show right now, I have to make sure it hasn’t sold already before selling to a buyer elsewhere.
Winter Roots was an experiment that went totally right. I wanted to see how isopropyl alcohol would look as an “underground” texture. I used Arches cold press so that I could get even more texture, added some coarse salt, and loaded a calligraphy pen with watercolor to get the roots and tree. It’s possible that this piece is 100% watercolor, but it’s possible that I may have added ink here and there, and so to be safe I listed that as one of the mediums.
If you’d like to purchase Winter Roots, click here.
After The Rain (Print)
Ink or Watercolor | 8×10 | 2019
After The Rain I’m almost certain is Hydrus watercolor by Dr. Ph. Martin’s, but it could also be India ink. This piece was an idea I’d formed in my mind before giving it a few tries. To get the upward “flow” effect, I had to paint this upside down, adding water here and there so the ink/watercolor would flow downward.
For me this piece is about rain clouds that sometimes seem so low they can touch the tops of the trees. But I have heard others say they see a fire. What do you see?
Prints are available here, but if you’d like the original (11×14 framed) please fill out this contact form, as the original is in a professional gallery and I will have to make sure it has not already sold.
Watercolor | 8×10 | 2019
Dragon Hills was an improv piece that I made when I first got my Hydrus watercolors. I absolutely love using the Hydrus colors, as they are already in liquid form and I can water them down further, or use them at their concentrated state. I can drop them onto wet paper, or spread them through one another. The possibilities are endless!
When I finished with this piece, I realized it looked something like the head of a dragon. Perhaps this hill is built upon the bones of a dragon slain long ago.
Morning Flight was created one morning when I decided, suddenly, that I wanted to try to paint with natural materials. While I used brushes, I also used rose petals and leaves to get certain textures in the cliffside and choppy waters.
Want to watch a video of me painting this piece? Click here!
Abstract Autumn was inspired by a smaller piece I did for my 365 Days of Watercolor project in 2018. I really liked the idea of creating an abstract piece that hinted at a dense forest. I tried it again with green, but it wasn’t as vibrant and exciting as this one.
Autumn on the Bluffs was inspired by the previous piece, Abstract Autumn. Once I had the idea of a dense forest in abstract form, I wanted to try many hills or bluffs, much like the ones near my home. We live right next to the river, and autumn during 2018 was a vibrant, fiery event. Every tree seemed to explode with color, and that’s what I hoped to portray in this wet-on-wet piece.
Mudslide was an experiment with white ink. I wanted to try to create an abstract-like illusion of a flooding stream or waterfall cutting through the land. I loved the marbling effect I got with the brown and white, and I learned that too much white ink will crack when it’s drying. While some like the crackling effect at the bottom of the waterfall, I’ve tried to prevent this from happening in later pieces with this same effect.
The original may still be available. If you are interested (12×16 un-framed) please fill out this contact sheet, as it’s at the local gallery and I will have to double-check it isn’t already sold.
Bridge of the Cherry Willow (Print)
Watercolor & Gouache | 8×10 | 2019
Bridge of the Cherry Willow was created on a failed painting. I had a piece of decent hot press paper with a failed underpainting on it, and after a few weeks (maybe even months) I pulled it out and decided to either do something new with it, or throw it out. I went for the former, and what I painted has gotten lots of love!
The original of this piece has sold, but you can still buy a print here.
Jupiter Tree (Print)
Watercolor | 8×10 | 2019
Jupiter Tree was an improvised piece I made with my Woodlands watercolor palette by Prima. I took a large sheet of cold press, stretched it, and focused only on the color on my brush. The title of this piece comes from the big red spot in the center, making the whole landscape reminiscent of the planet Jupiter.
Want to watch a video about the process behind this piece? Click here!
The original for this piece has sold, but you can buy a print here.
And that’s all of them, folks! Once again these pieces will be taken down on October 28th, and so if you buy one of the originals I will ship them that day. Prints, however, can be bought at any time and are usually shipped 1-2 days after their purchase.
Also, from now until forever, if you use the code GIMMEFREESHIPPING you can get free US shipping on my website store with orders over 35$. You may also get free US shipping on my Etsy shop for the same amount, but no code is required there.
I hope you all have enjoyed my online exhibition showcase and learning about all of the pieces hanging on the wall of our local conservation center. If you have any questions or comments, please feel free to leave them in the comment section below.
Summer was a slow go for me as an artist, which is why these last few weeks have felt like a whirlwind. Between framing 40 pieces for shows, speaking at the local gallery, giving classes, creating pieces for auctions, and even making a few sales here and there, it’s hard to recall what it was like during swim season, when my busiest day was heading to the fairgrounds to drop off mine and several other artists’ pieces for the State Fair.
No complaints here, though! I would much much rather it be super busy than super dead. Now I can shed the impostor syndrome and work to dig myself out of the no-sale rubble, and perhaps strengthen my platform as I update my new site and hold giveaways on social media.
And despite it all, I still found time to blog so wooo! Glad you’re here with me.
I thought I’d do something of an “exhibition showcase” and talk about each of the pieces that are on the wall at Runge Nature Center in Jefferson City, MO, for those of you who live in other states/countries and can’t make it in, or for those of you who did visit and want to know the story behind one of the paintings you saw.
Most of the originals for these pieces are still available for purchase. They come off the wall on October 28th, and if they’re purchased before then they will be shipped in their frame. I will literally lift the painting off the wall, wrap it in bubble wrap, and ship it off to its new home.
Prints, however, are available at any time, and are usually shipped within 2 days of purchase. Prints do not come with a frame, so if you’d like a frame, feel free to contact me through Etsy or my site and we can discuss.
Watercolor | 11×14 | 2018-2019
The first piece I want to talk about is Winter Moon, as it’s considered the “star” of the show. I painted winter moon in either December 2018 or January 2019 (most likely January, as I recall the paint being a birthday present). I received a tube of Daniel Smith’s moonglow and decided the best way to first use it would be to paint a portrait of the moon.
The view in the painting is inspired by the view from my back door/window. I, of course, removed the highway and the shops/restaurants on the horizon. My hope was to possibly show what my backyard looked like before the city grew.
Late spring is a piece I made while taking classes by Jean Lurssen. Her unique, abstract approach to landscapes inspired me to try them myself. This one is reminiscent of the bluffs by the river, lush with green, spring trees.
This piece has been around the city. It first debuted at an event before hanging on the wall of a local restaurant beside its sister piece, Like Shale.
Breath of Fresh Air was one of my “meditative” pieces, or what I would consider an entry to my Wordless Diary. I didn’t know what I was going to paint when I started, but once I finished I was floored by how much this looks like the heart and lungs! Total happy accident.
What is framed and hanging here is a print. The original is also still available.
Mother Cloud was a painting I thought up while dealing with the struggles of mothering a 6-year old with a whole lot of independence. I had the idea of a large, thunderhead cloud, with a much smaller cloud drifting away from it, and the mother cloud spreading as if to reach out to catch her child.
This piece was sold in its very first exhibition, but I have sold several prints since then. It seems to be one of my most popular pieces to date.
Sea Foam was inspired by an upcoming exhibition with beach-related themes, Maria Raczynska’s gorgeous seascapes, and by the song “Orinoco Flow” by Enya. I listened to the song often while painting this piece, and also listened to a few other ocean-related songs such as “Soul of the Sea” by Heart and “Caribbean Blue” by Enya.
This piece was a part of the Life’s a Beach show at the local gallery, and is now currently on display at Runge and is also currently part of an online show at SquidInk Gallery called “Visual Art Inspired by Music.”
A bit about the process: for a reference, I used a photo I took in Daytona Beach, FL. I used watercolor inks to add depth to my color, and used white gouache for my “foam.” More information about the “behind the scenes” of this piece can be found here.
Lavender Falls is a piece that started out with an idea, but took on a mind of its own soon after I began. At the time, I was very big on using the watercolor inks by Brea Reese, as well as various iridescent inks by Dr. Ph. Martin’s.
This painting was part of a professional exhibition in the spring, and spent some time at the local restaurant with a few of the others before heading over to Runge.
Amethyst Dawn II was a painting inspired by a painting inspired by another class by Jean Lurssen. In her class, she showed us how to use a palette knife to “spatter” white gouache and make abstract flowers. I tried it immediately, using my Brea Reese watercolor inks and white gouache and the painting sold within a few hours after I finished it. With so much love given to the first painting, I decided to make a second painting with the same colors and techniques.
Amethyst Dawn was the first of the two pieces that were inspired by the Jean Lurssen class, in which she showed us how to use a palette knife to make rocky textures and to spatter white gouache in order to make flowers. The original painting was created with Brea Reese watercolor inks and M. Graham white gouache, and sold hours after it was complete.
If you’d like to buy a print of Amethyst Dawn, you can go here.
Vineyard at Sunrise
Gouache | 11×14 | 2019
Vineyard at Sunrise was another improvised piece. I gave it a zendoodle-like approach, in that I did not plan anything, and simply painted patterns and colors while remaining present and refusing to shape the piece into anything remotely figurative until the very end.
Late Summer Blues is one of my favorite pieces to date. I love the colors, the warm browns with the indigo. I love the starry pattern the salt made at the bottom. There wasn’t much planning to this piece. It came from the heart. I used a large brush to get the flowy washes, and a calligraphy pen (loaded with watercolor) to get the finer lines.
Late Summer Blues has sold. Thanks so much to the buyer!
Watercolor & Ink | 8×10 | 2018
Tundra was an experiment I did on a watercolor board in winter 2018. My goal was to create interesting textures and patterns with inks as they melded into one another. Not long after, the original piece was damaged, but luckily I had already scanned it, and it makes a gorgeous print.
If you’d like to buy a print of Tundra, you can head here.
I didn’t grow up in this town. As a child, coming to the Capitol City was a treat. I remember, even then, marveling at the array of bluffs surrounding the buildings, a town nestled within its own protective wall, built ages ago by the river as it cut through to create what is now miles of lush green farmland.
And the city had a sound to me, a jazzy sound. As a pre-teen, I’d walk behind my dad as we made our way downtown to a local restaurant, the sun setting behind historical stone buildings, casting long shadows on busy sidewalks. Continue reading “My First Solo Exhibition”→